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And so it is. Tone deaf as I may be, I sing as loud as anybody. And when we finish, I say, “I Spy with my little eye a great story.”

No one says anything for a while. There’s just the sound of the Dreidel devouring the blacktop as she speeds downhill. And then after a while Ben says, “It’s this, isn’t it?”

I nod.

“Yeah,” Radar says. “As long as we don’t die, this is gonna be one hell of a story.”

It will help if we can find her, I think, but I don’t say anything. Ben turns on the radio finally and finds a rock station with ballads we can sing along to.

After more than 1,100 miles on interstates, it’s finally time to exit. It’s entirely impossible to drive seventy-seven miles per hour on the two-lane state highway that takes us farther north, up toward the Catskills. But we’ll be okay. Radar, ever the brilliant tactician, has banked an extra thirty minutes without telling us. It’s beautiful up here, the late-morning sunlight pouring down on old-growth forest. Even the brick buildings in the ramshackle little downtowns we drive past seem crisp in this light.

Lacey and I are telling Ben and Radar everything we can think of in hopes of helping them find Margo. Reminding them of her. Reminding ourselves of her. Her silver Honda Civic. Her chestnut hair, stick straight. Her fascination with abandoned buildings.

“She has a black notebook with her,” I say.

Ben wheels around to me. “Okay, Q. If I see a girl who looks exactly like Margo in Agloe, New York, I’m not going to do anything. Unless she has a notebook. That’ll be the giveaway.”

I shrug him off. I just want to remember her. One last time, I want to remember her while still hoping to see her again.

The speed limit drops from fifty-five to forty-five and then to thirty-five. We cross some railroad tracks, and we’re in Roscoe. We drive slowly through a sleepy downtown with a caf'e, a clothing store, a dollar store, and a couple boarded-up storefronts.

I lean forward and say, “I can imagine her in there.”

“Yeah,” Ben allows. “Man, I really don’t want to break into buildings. I don’t think I would do well in New York prisons.”

The thought of exploring these buildings doesn’t strike me as particularly scary, though, since the whole town seems deserted. Nothing’s open here. Past downtown, a single road bisects the highway, and on that road sits Roscoe’s lone neighborhood and an elementary school. Modest wood-frame houses are dwarfed by the trees, which grow thick and tall here.

We turn onto a different highway, and the speed limit goes back up incrementally, but Radar is driving slowly anyway. We haven’t gone a mile when we see a dirt road on our left with no street sign to tell us its name.

“This may be it,” I say.

“That’s a driveway,” Ben answers, but Radar turns in anyway. But it doesseem to be a driveway, actually, cut into the hard-packed dirt. To our left, uncut grass grows as high as the tires; I don’t see anything, although I worry that it’d be easy for a person to hide anywhere in that field. We drive for a while and the road dead-ends into a Victorian farmhouse. We turn around and head back up the two-lane highway, farther north. The highway turns into Cat Hollow Road, and we drive until we see a dirt road identical to the previous one, this time on the right side of the street, leading to a crumbling barnlike structure with grayed wood. Huge cylindrical bales of hay line the fields on either side of us, but the grass has begun to grow up again. Radar drives no faster than five miles an hour. We are looking for something unusual. Some crack in the perfectly idyllic landscape.

“Do you think that could have been the Agloe General Store?” I ask.

“That barn?”

“Yeah.”

“I dunno,” Radar says. “Did general stores look like barns?”

I blow a long breath from between pursed lips. “Dunno.”

“Is that — shit, that’s her car!” Lacey shouts next to me. “Yes yes yes yes yes her car her car!”

Radar stops the minivan as I follow Lacey’s finger back across the field, behind the building. A glint of silver. Leaning down so my face is next to hers, I can see the arc of the car’s roof. God knows how it got there, since no road leads in that direction.

Radar pulls over, and I jump out and run back toward her car. Empty. Unlocked. I pop the trunk. Empty, too, except for an open and empty suitcase. I look around, and take off toward what I now believe to be the remnants of Agloe’s General Store. Ben and Radar pass me as I run through the mown field. We enter the barn not through a door but through one of several gaping holes where the wooden wall has simply fallen away.

Inside the building, the sun lights up segments of the rotting wooden floor through the many holes in the roof. As I look for her, I register things: the soggy floorboards. The smell of almonds, like her. An old claw-footed bathtub in a corner. So many holes everywhere that this place is simultaneously inside and outside.

I feel someone pull hard on my shirt. I spin my head and see Ben, his eyes shooting back and forth between me and a corner of the room. I have to look past a wide beam of bright white light shining down from the ceiling, but I can see into that corner. Two long panes of chest-high, dirty, gray-tinted Plexiglas lean against each other at an acute angle, held up on the other side by the wooden wall. It’s a triangular cubicle, if such a thing is possible.

And here’s the thing about tinted windows: the light still gets through. So I can see the jarring scene, albeit in gray scale: Margo Roth Spiegelman sits in a black leather office chair, hunched over a school desk, writing. Her hair is much shorter— she has choppy bangs above her eyebrows and everything is mussed-up, as if to emphasize the asymmetry — but it is her. She is alive. She has relocated her offices from an abandoned mini-mall in Florida to an abandoned barn in New York, and I have found her.

We walk toward Margo, all four of us, but she doesn’t seem to see us. She just keeps writing. Finally, someone — Radar, maybe — says, “Margo. Margo?”

She stands up on her tiptoes, her hands resting atop the makeshift cubicle’s walls. If she is surprised to see us, her eyes do not give it away. Here is Margo Roth Spiegelman, five feet away from me, her lips chapped to cracking, makeup-less, dirt in her fingernails, her eyes silent. I’ve never seen her eyes dead like that, but then again, maybe I’ve never seen her eyes before. She stares at me. I feel certain she is staring at me and not at Lacey or Ben or Radar. I haven’t felt so stared at since Robert Joyner’s dead eyes watched me in Jefferson Park.